Works Cited and Consulted

Brent, Jessica.  “Beyond the Gaze:  Visual Fascination and the Feminine Image in Silent Hitchcock.:  Camera Obscura 55:19.1 (2004):  76-111.

Brill, Lesley W.  “Hitchcock’s The Lodger.”  Literature/Film Quarterly 11.4 (1983):  257-65.

Chatman, Seymour.  Coming to Terms:  The Rhetoric of Narrative in Fiction and Film.  Ithaca NY:  Cornell University Press, 1990.

Erb, Cynthia Marie.  “Have You Ever Seen the Inside of One of Those Places?  Psycho, Foucault, and the Postwar Context of Madness.” Cinema Journal 45.4 (2006):  45-63.

Hesling, W.J.M.  “Classical Cinema and The Spectator.”  Literature/Film Quarterly 15.3 (1987):  181-89.

Lacan, Jacques.  Ecrits:  A Selection.  Trans. Alan Sheridan.  New York:  W. W. Norton & Company, 1977.

Leader, Darian, and Judy Groves.  Lacan For Beginners.  Ed. Richard Appignanesi.  Cambridge:  Icon Books Ltd., 1995.

Manlove, Clifford T.  “Visual Drive and Cinematic Narrative:  Reading Gaze Theory in Lacan, Hitchcock, and Mulvey.”  Cinema Journal 46.3 (2007):  83-108.

Merck, Mandy.  “Mulvey’s Manifesto.”  Camera Obscura:  A Journal of Feminism, Culture, and Media Studies 22:66.3 (2007):  1-23.

Modleski, Tania.  “Rape versus Mans/laughter:  Hitchcock’s Blackmail and Feminist Interpretation.”  PMLA 102.3 (1987):  304-315.

Mulvey, Laura.  “Visual Pleasure and Narrative Cinema.”  Screen 16.3 (1975):  6-18.

Psycho.  Dir. Alfred Hitchcock. Perf. Anthony Perkins, Vera Miles, John Gavin, and Janet Leigh.  Universal Studios, 1960.

The Lodger.  Dir. Alfred Hitchcock.  Perf. Marie Ault, Arthur Chesney, Malcolm Keen, June, and Ivor Novello.  Woolf & Freedman Film Service, 1927.

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